Practical (c) Fair Use Tips

I haven’t been blogging a lot lately because I’ve been focusing my writing time on my next book, working title: The Secrets of Creative Business. Yesterday I posted a tweet that I was working on the section of the book covering copyright “Fair Use” and was asked by a Facebook friend to share some practical tips.

Here are a few practical hints:

1. Always ask for permission if you’re using someone’s content.
2. If you don’t get permission, use a minimum of content from anyone else.
3. Give credit for what you use.
4. This is the big one: ADD value to the content you’re using from other people by examining it (criticism – see below) and applying their ideas and/or expression to your audience’s situation filtered through your expertise.

If you do this, you won’t have to lose a lot of sleep over what you’ve used because you will be making a great argument that you’re actually building the marketability of the other person’s work through your use of their content (see factor 4 below).

If you’re ripping someone’s content for its obvious stupidity, then be a bit more careful and talk with your lawyer.  🙂

Just in case you want to read the actual copyright fair use statute:

TITLE 17 > CHAPTER 1 > § 107
§ 107. Limitations on exclusive rights: Fair use

Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—

  1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
  2. the nature of the copyrighted work;
  3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
  4. the effect of the use upon the potential market for or value of the copyrighted work.

The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

Protecting your IP in Joel Comm’s TopOne Report

I’m happy to be a guest author in Joel Comm’s TopOne Report on the topic of Innovation this month.  Here’s a copy of my article (PDF) – it’s a very brief primer on intellectual property for your innovative ventures.  You can also click through to Joel’s site and sign up for a free month of the newsletter yourself.

Enjoy.

topone-509-1

Free Copyright Webinar Tuesday, Jan. 27th 3pm Eastern

I’ll be conducting a FREE webinar on Copyright Law tomorrow at 3:00pm EASTERN.  The session will be tailored to authors, but applicable to anyone in creative fields.

This is where creativity and business overlap. If you’re in a creative industry, you really need to be familiar with this stuff.

Just go HERE: http://xiosoftpresenter.com/?eventid=5793384

You should be able to use the same link to review the session if you miss the live webinar.

This is hosted by Morgan James Publishing as a service to creative people everywhere.  For access to the entire back-list of GREAT tele-seminar files click here.

reform now!

If there was ever any question that we need reform in the legal industry and within the legal education industry – this is it: http://tinyurl.com/4gnzy2

A law school professor is suing saying that student notes violate his copyright. Maybe he need to talk to one of the copyright professors about the fair use statute…

There’s also the question of what kind of example this sets for law students. Scheeeesh!!!! It’s this kind of stuff that is ruining the reputation of the legal profession.

If he’s using another lawyer (probably not… although many professors aren’t licensed to practice anywhere, and some have never even taken the bar exam), I’m disappointed the professor’s lawyer took the case.

Copyright for Authors and Speakers

Most of you know that your work is covered under the US Federal Copyright laws the instant your ideas become tangible. That’s wonderful news, but it sometimes leads to a false sense of security for creative people.

The problem is that if someone uses your material without permission, you might have a righteous beef legally, but not have an economic justification for pursuing your legal rights. This is because infringement of unregistered copyrights requires you to prove “actual damages” and pay your own legal fees. Actual damages are hard to prove, and in many cases will not cover the legal fees.

If you pay the $35-45 to register your copyright, then you can ask for statutory damages without proving actual damages, and your attorney fees are on the table. This makes the Cease & Desist letter much more effective and shows you take your creativity seriously.

You should make it a point to do your own copyright registrations on all your creative work – at least the work that is core to your creative business. Do this yourself because the forms are easy and if you mess up, the Copyright office will tell you what you did, and while you’ll have to refile in many cases, the lesson only costs you the $35-45 bucks.

You can find all the registration forms and great instructions at www.copyright.gov. If you need more help or need to enforce your copyrights, just let me know.