Joint Works (copyright)

No, we’re not talking about creativity that originates from prison.

Nor are we talking about helping a bud roll one.

We’re talking about when at least two people work together on a creative project.

Unfortunately, “inadvertent” joint authorship happens all the time.

Here’s the analysis:

1.  A work is “jointly authored” automatically upon its creation if:

1) two or more authors contributed material to the work; and

2) each of the authors prepared his or her contribution with the intention that it would be combined with the contributions of the other authors as part of a single unitary work.

2. Intent AT THE TIME THE WORK IS CREATED is the controlling factor.

3. The contributions do NOT have to be equal.

4. IN the ABSENCE of a Collaboration Agreement or agreement otherwise:

  • Joint authors have undivided interest in the ENTIRE WORK.  (that means even-Stephen for all the authors, even if they didn’t contribute equally.)
  • Each joint author has the right to exploit the copyright, without the other’s consent.
  • Each joint author has the right to license the joint work, without the other’s consent.
  • Each joint author has the right to transfer their share of the ownership without the other’s consent.
  • The ownership interest does NOT revert to the joint author upon one author’s death, it goes with the estate.
  • Both authors have a duty to account for profits – each joint author has to pay the other the appropriate share of profits.

So, what this means to you is that before entering into any collaborative creative project, you should create a “Collaboration Agreement” that irons out the details of the project and relationship.

A collaboration agreement should include at least:

  1. Description of the project
  2. What each person will contribute
  3. Ownership %
  4. Authorship credit
  5. Control of use – decision making

There are a bunch of other things your lawyer will help you with, but the things listed above are the key relationship issues to keep in mind and bring to the meeting with your attorney.

Please understand that I’m not saying “don’t collaborate” because collaborations can be incredibly powerful.  I’m saying get the deal in writing before you begin the work, even if you’re sure everything will be swell.

Things happen.

Brand Protection Council Membership

I want to tell you about BPCouncil (www.bpcouncil.com) a great new international organization I have recently joined and highly recommend that you check out.  They have already provided great value to me both directly and through referrals.

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BPCouncil is a dynamic international virtual community of brand protection and IP professionals. You can connect with brand owners, IP lawyers, brand protection technology providers, customs officials and other IP professionals from around the globe.

On www.BPCouncil.com you can find a wide variety of helpful resources, networking tools, in-depth news stories and more. There are also opportunities to promote your organization through speaking engagements, contributing content for the website/newsletter, discounted banner ads for members and an active job board and more. So far BPCouncil has distributed my ebook and I can’t wait to submit more material to them.

Join now and get a 15% discount off corporate membership. Be sure to write “Kevin Houchin” in the referral code space.

If you have any questions, Sarah Hein of the Member Services team will be happy to provide you with further information at SarahH@bpcouncil.com or +41-22-735-40-65.

I look forward to your becoming a part of the BPCouncil community.

This really is worth your time and money. I hope you take advantage of this offer.

TM & Copyright for Creative People – Free Webinar

I’ve been asked a few times over the last few days to repost the links to the copyright and trademark webinars I did for Morgan James Publishing back in January.  These programs are tailored to the needs of authors, but the concpets and laws are the same for anyone in creative business.

Here are the links:

Trademark & Branding

Copyright

Feel free to forward these links to any of your friends who might need the information.

If you would like me to do a similar session tailored to your group – give me a call at 970-493-1070 or drop me an email and we’ll work something out.

Practical (c) Fair Use Tips

I haven’t been blogging a lot lately because I’ve been focusing my writing time on my next book, working title: The Secrets of Creative Business. Yesterday I posted a tweet that I was working on the section of the book covering copyright “Fair Use” and was asked by a Facebook friend to share some practical tips.

Here are a few practical hints:

1. Always ask for permission if you’re using someone’s content.
2. If you don’t get permission, use a minimum of content from anyone else.
3. Give credit for what you use.
4. This is the big one: ADD value to the content you’re using from other people by examining it (criticism – see below) and applying their ideas and/or expression to your audience’s situation filtered through your expertise.

If you do this, you won’t have to lose a lot of sleep over what you’ve used because you will be making a great argument that you’re actually building the marketability of the other person’s work through your use of their content (see factor 4 below).

If you’re ripping someone’s content for its obvious stupidity, then be a bit more careful and talk with your lawyer.  🙂

Just in case you want to read the actual copyright fair use statute:

TITLE 17 > CHAPTER 1 > § 107
§ 107. Limitations on exclusive rights: Fair use

Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—

  1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
  2. the nature of the copyrighted work;
  3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
  4. the effect of the use upon the potential market for or value of the copyrighted work.

The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

Protecting your IP in Joel Comm’s TopOne Report

I’m happy to be a guest author in Joel Comm’s TopOne Report on the topic of Innovation this month.  Here’s a copy of my article (PDF) – it’s a very brief primer on intellectual property for your innovative ventures.  You can also click through to Joel’s site and sign up for a free month of the newsletter yourself.

Enjoy.

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